Man Ray, The Primacy of Matter over Thought, 1931
Mario De Biasi, Gli italiani si voltano, Milano, 1954
Anom., Tom Wesselmann & Model, c. 1965
Somewhere in Paris
Lucien Clergue, Room with a View, 1970s
T.W. Salomon, Female Nude in Armchair, 1935
Bill Brandt, Hampstead, 1945
Bill Brandt, Campden Hill, 1949
Horst P. Horst, Bending Nude, 1941
Willy Kessels - Nu à la Fleur Appliquant son Maquillage, 1937
Judy Dater, Imogen Cunningham And Twinka At Yosemite, 1974
Rudolf Koppitz, Motion Study, 1926
Atelier Manassé, Untitled, 1930s
Heinz Hajek-Halke, Hamse nich ne Braut für mich?, 1928
Max Dupain, Brave New World, c. 1933
Jean Moral, Female Nude in Lingerie and Boots, 1930s
Willy Ronis, Deena de dos, 1955
Marianne Breslauer, Ruth von Morgen, Berlin, 1934
Elmer Batters
Grâce à FANTOMATIC
Erwin Blumenfeld, Wet Veil, Paris, 1936
Man Ray, Anatomy II, 1930s
Edward Weston, Tina Modotti, Redondo Beach, CA, USA, 1923
Willy Ronis, Le Nu Provençal, Gordes, 1949
Brassaï, Matisse drawing his model in the studio lent to him by Mrs. Callery - an American sculptor, at the Villa d'Alesia, 1939
Heinz Hajek-Halke, Ripe Fruit, 1930s
„Heute morgen mußte ich daran denken, daß reif sein soviel bedeutet, wie zweifach jung sein. Reife ist doppelte Jugend. Jede reife Frucht bezeugt es. Wie etwa der Pfirsich. Gelb im Fleisch, die eine Seite krapplackrot, die andere orange. Herausfordernd und begehrenswert. Reif sein ist das Größte, sagt Shakespeare, ripeness is all. Nichts ist jünger als so eine kokette Rundheit.“ (Béla Hamvas, Silentium)
Stéphane Lallemand, L'odalisque blonde (d'après Boucher), 2007
What. in ill thoughts again? Men must endure
Their going hence, even as their coming hither:
Ripeness is all. Come on.
Their going hence, even as their coming hither:
Ripeness is all. Come on.
Shakespeare, King Lear, Act V. Scene II
Irving Penn
Grâce à FANTOMATIC
Ellen von Unwerth
Retro Sisters
František Drtikol, Two Nudes, 1932
Imogen Cunningham, Two sisters, 1928
T.W. Salomon, Revuegirls, ca. 1935
Raoul Hausmann, Two Nudes on a Beach, c. 1930
Alfred Stieglitz, Rebecca Strand, 1923
Jeanloup Sieff
John A.S. Coutts, Holly Faram, 1930s
Man Ray, Natasha Miller en robe de soie, 1930
George R. Hoxie - Solarized Legs in Stockings and Heels, 1940s
Horst P. Horst, Round the Clock, 1987
Helmut Newton
André Gelpke, Angelique aus dem Salambo, St. Pauli, Hamburg, 1976
Ruth Bernhard, Neck Study, 1958
Daido Moriyama, Letter to Nakahira Takuma, Fin (Ueno), 1988
Bernini, The Rape of Proserpina (Detail), 1622
Man Ray, The Return of Reason, 1923
awwww I really like this post. so interesting and beautiful! thanks!
ReplyDeleteJosef Breitenbach has some very fitting images for this list.
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ReplyDeleteHi. "Somewhere in Paris" is not in Paris, but in Viena. I took a very similar picture there. It´s the E.BRAUN´S shop window.
ReplyDeleteThank you for the post.
The picture of Weselmann is by Bob Adelman
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http://lingni-net.blogspot.com/search?q=Tom+Wesselmann
full of beauty!
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